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The Visitor Is Gone, But Not
Forgotten
This review contains spoilers.
Few films come along to express the emotional trauma and
excitement of loss. The Visitor, written and directed by Tom
McCarthy, is an extraordinary look at life from the perspective
of an aging widower, who has simply given up.
When we first meet Walter Vale (Richard Jenkins), he is alone.
He takes piano lessons. A task best suited for youngsters,
Walter can't seem to get the hang of playing because he lacks
the effort, so he fires every teacher he has. This effort, as
the audience finds out, is a lonely attempt to connect to his
late wife, a concert pianist. Later, we find he teaches at a
college in Connecticut, but teaching is just a tedious word
used to describe Walter's daily routin. Walter meanders on in
his mundane life as an economics professor and seems to embody
just a shell of a person, lacking real enjoyment, motivation,
or ambition. When asked about going to present a paper he
co-authored at NYU, he tells a colleague he is working on his
fourth book, but the truth is, he doesn't want to go because he
merely read the paper and would rather continue on his path of
least resistance.
Walter's emotions seem indifferent toward everything and
everyone around him. He does not create a syllabus for his only
class, nor does he care to read anyone's paper. He tells people
he's busy and close to finishing his book, but goes home, cooks
dinner, and has a glass of red wine, as if simply to numb
himself further.
Ultimately, he must go to NYU to present his co-authored paper
at a colloquium. As Walter is forced to go back to the New York
City home he used to share with his wife, his life would
change.
Walter finds his Manhattan apartment rented, without his
knowledge, to Tarek (Haaz Sleiman), a drummer from Syria, and
Zainab (Danai Gurira), his girlfriend who sells hand-made
jewelry on the New York City street flea markets-both are
illegal immigrants in the United States. Walter's lack of
reaction is common throughout the film. It is Tarek who
suggests him and his girlfriend leave the apartment and will
pay for rent if he wants it, but in a glimmer moment of
compassion, Walter allows the couple to stay.
Through the course of the following days, Walter begins his
friendship with Terak and Zainab. Terak begins to teach Walter
the drums, an instrument which Walter seems to pour his heart
and soul into-and he's actually good at it. They play for a
variety of audiences, and we can see for the first time, Walter
is alive again.
An unfortunate incident, through no fault of his own, lands
Terak in jail, and ultimately, in immigration detention. Walter
visits his friend daily, and Zainab moves out of Walter's
Manhattan apartment. In the hard look at immigration policy in
the United States, Tom McCarthy has us weeping for justice and
fairness. Terak has done nothing wrong, so would he have to
leave the country, back to Syria?
Teraks mother, Mouna Khalil (Hiam Abbass), arrives at Walter's
home in Manhattan. She is a lovely woman with a calm voice.
Walter tells her that they share the house and that her son is
in detention. Because she is an illegal immigrant herself,
Mouna cannot visit her son, thus Walter becomes her proxy and a
fledgling love begins between Mouna and Walter. Through the
last few moments of the film, Walter's life dramatically
changes. His heart aches as he unleashes his emotions toward
the immigration officers when Terak is no longer at the
facility. He embraces Mouna in the cab ride home, sharing the
pain as if it were his son that had gone missing, though his
real son lives in London.
In the end, Walter has transformed his empty life into
something more meaningful. He takes a leave of absence from his
Connecticut school, and continues to play the drums on the New
York City subway platforms. What a strange site it must be to
watch and old man playing drums. The "visitor" has been Walter,
Mouna, Terak, and Zainab, as each has visited us and gone their
separate ways-a temporary point in our lives gone, but not
forgotten.
by Eddie Phanichkul - 3rd June 2008
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Eddie Phanichkul is a writer from southern California. He
writes film reviews and offers analytical content on his
website
http://www.takingstuffapart.com
Source: http://www.creativewriter.me.uk
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