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Writing My Way Back Into My
Childhood
The other day my twenty-something son stopped by for a visit
and decided to take a short swim in our pool. This was
something unique, really, because he hadn't been a steady
presence in our pool since he and his sister were of elementary
school age. Then with only just the two of them, or with the
addition of some sleepover friends, they would all play in the
water for hours, and I do mean hours. Hunger, thirst, or my
calls to exit the water because they were turning into prunes
and needed to take a break did not deter this pack of
four-legged dolphins to cease their joy for a minute.
Just before my son left to go back to his town house about 20
miles away, he commented: "Mom, I was thinking how when we were
little, all we needed in the pool was ourselves and our
imaginations to keep us happy. We didn't have to worry about
work, errands, jobs, or anything. All that mattered was
playing." Then he threw his hands up in the air as if accepting
one of those light bulb moments, and we all have them, with
great reluctance. "Yes," I said, "we spend most of our adult
lives longing to recapture those days of innocence."
And those days of my innocence have been lost for far too long.
And that is partly why I undertook the task of writing my
epistolary novel Letters Between Us. Spurred on by the death of
an old schoolmate whom I had long lost touch with, I began
writing Letters in full middle school teenage-ese the way we
had in our childhood. The letters were not to anyone in
particular, perhaps they were to my 13 year-old self, I don't
know. I decided it would be interesting to write this series of
letters the regular old fashioned way with pen and paper
leaving in the mistakes, the scratch outs, and silly symbols
kids often use for emphasis.
All I know is that the act of recreating those days of only
caring about whether or not my patent leather shoes matched my
patent leather clutch purse, whether or not I'd painted on my
Twiggy style eyeliner perfectly, and whether or not I'd had my
bra snapped by the most "bitchin-est" boy in school mattered.
Writing in such a vein re-awakened my long forgotten childhood
again. Mind you we, my girlfriends and I, did not sound or act
like Valley girls in the sixties. We sounded and acted like
young adolescents desperately trying to fit in with the
in-crowd. Often, I was assigned to the out-crowd, but even that
was a crowd.
I can still recall the pangs of being told by a small group of
in-crowd girls as I tried to catch up to them during lunchtime
when they paraded around the quad checking out which of the
cutest boys were checking them out being told: "Linda, we don't
need you today." I immediately dropped out of step with them. I
was dismissed and there was no appeal allowed or necessary. I
was simply not "in" that day. I was deeply hurt, but I clamored
for acceptance on another quad patrol day. And accepted I was
because I was wearing a dress they all coveted. So simple
really, no hidden agenda, no talking behind my back. It was a
simple message reminiscent of the phrase, " - .one day you're
in and the next day you're out!" I did not need a memo, or a
phone call, I knew exactly where I stood. If only boundaries
were that clear cut over our entire maturing process.
In addition, during those times we were often bombarded with
the exhortations of great democratic minds:
"Ask not what your country can do for you--ask what you can do
for your country; Tune in, turn on, drop out; Do Your Own
Thing; Love the one you're with; Peace now; Hell no, we won't
go; Make Love not War." From the draft-card-burning protests of
the Vietnam War, these are the slogans I remember the most.
How ignorant I was as to the true meaning of any of these
slogans and their ramifications in the coming decades. Over and
above all of those turbulent years, all I can recall is that
when we are little, we either want to be a good kid or a bad
kid. The sad part is that in the midst of it, we have no
appreciation for the infantile challenges we face, like-getting
up, getting dressed, brushing our teeth and even tying our own
shoe laces without help, and all of those tasks that make us
feel right in all their marvelous lunacy. When we mature and
move beyond childish things, of course we pine for those days
when we really didn't have much to fret about. Our parents woke
us up, saw that we were fed, chauffeured us around, and made
sure we got to school on time. We only had to make sure we
didn't get into trouble with mom or dad, or our teachers. It
was our playmates on the playground and who we hung out with
and shared secrets with who counted.
The poignancy of such a time in any of our childhoods,
notwithstanding the degree of just how dysfunctional a family
we were raised in, is the beauty of existing in a state of such
naivet...
What still amazes me is how I miss it the simplicity of being a
child, the complexity of being a curious teen during a very
unpopular war, and only needing to not be the last kid picked
on a team for handball to feel alive.
My son called me about a week after his swimming visit to
inform me that he had met up with his some of college buddies,
about eight of them. They had all met at the beach and for the
better part of that afternoon, they ran into the water swimming
far through the waves, tossing, dunking and chasing after each
other like the younger dolphins they once were.
"How did it feel?" I asked.
"Like it will never be that way again," he said.
"Yes," I said. "It won't."
by Linda Rader Overman - 11th November
2008
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Linda Rader Overman is a Professor of English at California
State University, Northridge. Her work encompasses fiction, and
nonfiction consisting of multifaceted elements including
photographs, narrative portraits, images, texts, personal and
social history, poetry, letters, and diaries. Her epistolary
novel Letters Between Us is published by Plain View Press. To
learn more about her, and to receive her newsletter, visit
http://lindaraderoverman.com
Source: http://creativewriter.me.uk
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